the mole people - break night
Armand van Helden released this trailblazing long-form monster under the Mole People pseudonym on Strictly Rhythm in 1995. It's an acknowledged deep house classic. Rudimentary tribal drums and two endlessly unspoiling laser loops, glowing with phaser swirl and traversing a shimmering expanse, opening up an endless void like in "Tomorrow Never Knows."
I was speaking with brave about the latest Shed record and he said "it sounds great if I'm driving, but if I'm IMing people it just sounds like some beats." Which pretty well sums up the two kinds of attention you can pay to music, especially the heavily rhythmic minimal-beat kind. but it's not like one form is better than other form. Walter Benjamin (the implicit or maybe not so implicit forefather of AC) made a point of stressing how important distraction is in modern life as a form of experience.
distraction is valuable in modern life because there's a lot of it. there's suddenly alot of things coming at you and most of the time you're not zoomed in on them, they appear in this shifting thicket of sensation, and when images or sounds or words sensed in distraction pass into your psychic self and begin to live there, they will be not as things you really remember or can identify, but as lurking, immortal ghosts.
so pay close attention to 'break night'. or put it on while you gchat. see if I care.